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May 2010 Archives

May 18, 2010

DMI Re-Thinking... The Future of Design Conference



This June 16th and 17th, Roger Martin and Darrel Rhea will reprise their roles as hosts and creators of this fascinating conference focused on the intersection of Business & Design. It's one of the few conferences in the design community that illuminates thinking and work at this intersection. It will be held again in San Francisco, this time in the W hotel.

This year, the DMBA program's chair, Nathan Shedroff, will speak at the conference as well.

There are still a few seats left!

Commencement

Just a little over a week ago, the DMBA program reached a phenomenal point. Our first graduates, 24 pioneers, walked across the stage at graduation to accept their well-earned, and the school's first, MBA degrees. Surrounded by friends, family, faculty, administration, and peers, these students also walked into a unique future, for both the school and for the business world. In addition, the graduate student address to the school was given by the program's own Nicole Chen.

The end of the semester for this cohort was a blur. The students rallied to finish their venture projects in their final studio, picked the top three of the day, moved all of their work across the street, and made our first Venture Show a success. Then, they organized their contribution to the school's Graduate Thesis show (due just three days later when their final coursework was due) in which the entire SF main building in San Francisco was transformed into a gallery, showing the work of all of the Masters graduates for the year (and some of the undergrads as well).

2010 Venture Show



This year, our first graduating class presented their final venture projects to the public in our first ever Venture Show. The Venture Studio had 12 projects in development, including teams of 2, 3, and 4 as well as several individual projects. All students resented their 12 projects in 20minute "elevator pitches" and the top three projects as voted b the class, presented full 20 minute business plans. In addition, all of the projects had materials on display in the reception area. These included:

HEARPHILE: Tim Bishop & Kate Ranson-Walsh
LINEMONKEY: Erik Ehrke
THE GREEN EXCHANGE: Kathryn Hautanen, Henry Liu, Mattia Nuzzo & Vinitha Watson
GOPROTO: Mei Lan Ho-Walker, Jason Hui & Erin Jacobs
HOWTOONS: Ingrid Dragotta & Ayano Hattori
SIFT: Nicole Chen & Erica Meade
VERITE: Gwen Armbruster
THE THREAD UNION: Sara Kozlowski, Jennifer Pechacek & Carla Voorhees
SANSOU: Suzanne Randolph
LANDINGRAMP: Rowan Edwards
B! HEALTHY: Paul Colando & Adam Dole
INSTITUTE FOR RELAXED LIVING: Beth Berrean, Erica Frye & Heike Rapp-Wurm

The three projects chosen for the full business plan presentation were: THE GREEN EXCHANGE, THE THREAD UNION, and GOPROTO.

May 19, 2010

Public Bikes Launches



DMBA advisor and DWR founder, Rob Forbes, launches his new "more livable cities" company, centered around bike culture. We're now dreaming of a new bicycle and wish them well on their new venture.

May 20, 2010

The birth of our second child



Today marks the start of our second offering, the Leading by Design Fellows program. This 6 month executive program begins with 24 experienced, dynamic professionals in search of more skills, new processes, and new perspectives informed by the intersection of design, business, and sustainability. These professionals bring years of experience into this process from companies such as Microsoft, SAP, Roche, Wells Fargo, Nokia, Adobe, and IDEO.

This program meets once every month, for a two-day weekend, of intense lectures, discussions, and lab work. In between, these professionals read and discuss challenging materials, and work on their personal projects through fieldwork and interaction online with each other.

Today, Bob Dunham, from the Institute for Generative Leadership, lead several exercises in generative communications and leadership. Tomorrow, Tim Brown, CEO of IDEO, speaks on Design as an agent of change, the DMBA's own Nathan Shedroff, introduces the Systems Strategy Model, and Michael Barry, founder of PointForward, discusses Design Research. On Saturday, Linda Yaven, who teaches in the DMBA, will be discussing visual expression, and Derek Thompson will be leading a workshop on storyboarding.

May 25, 2010

What IS Design Thinking?

What IS "Design Thinkng"?

Although the term Design Thinking is common today in both the design and business worlds, what people mean when they utter this term can be vastly different. In addition to not having a standard definition (and, therefore, a common understanding), many in each world are reacting against the term--just as (and partly because) it has become popular--and new terms are being proposed to replace it. Some of these terms include: integrative thinking (from Roger Martin at Rotman), design doing (from David Kelley at IDEO), and design intelligence (from Bann Banerjee at Stanford). Each of these are true, of course, and none are mutually exclusive.

Perhaps, it's more important to create a shared understanding of what falls under these terms, rather than worry about the term anyone specifically uses. The following points illuminate how we teach "design thinking" in our program:
  • prototyping and iteration (it's surprising how many people, even in business, believe that solutions are simply created form specifications, ready-to-go in the first try)
  • integrative thinking processes, at appropriate times, combined with more traditional deductive, and analytic thinking and processes
  • systems thinking (and its application to strategy): you can think of all of thes rest as part of systems thinking
  • multi-disciplinary teams
  • multi-stakeholder engagement (this doesn't need to be full "participatory design" to be effective
  • deep/rich customer research (into emotions, values, and meaning ,not merely price and performance): need-finding instead of solution-finding (this is actually a part of stakeholder engagement)
  • experience perspective (and not merely a focus on the product or service)

It wasn't always this way, of course. In particular, the design world's history has been characterized by the sole designer's vision, often mythologized by both designers and the Press. Much like the architecture world's phenomenon of "starchitects," Design used to be about a singular, often one-way vision of the world, made real through (mostly) physical products and simply made available for consumers to purchase. The reality has always been different. Teamwork and interdisciplinary collaboration has always been necessary to actually realize a designer's vision even if he (and it was usually a "he") had the influence to drive the development himself.

We know and teach better these days and even the Press is starting to recognize the design myths they often still promote.

By no means are all of these principles the sole responsibility or domain of design. Many of these are commonly practiced in other domains, like engineering and management. However, design approaches have initiated some and adopted many of these criteria and they are now almost uniformly part of the current design experience. In addition, all of these are becoming to be standard principles across the domains of engineering, business, NGOs, and the sustainability field. Even the government would greatly benefit by adopting and practicing these principle.This overlap is critical, however, as it forms a new basis for a shared conversation across all organizations.

What is Marketing?

What is Marketing?

As an undergrad, I was introduced to the basic principles of strategic marketing through books like Steven P. Schnaars' Marketing Strategy, Kate Gillespie's Global Marketing, and Michael Porter's Competitive Strategy. I learned about the Four Ps, the internal and external forces within a market, differentiation and a host of other components that made up what I considered "marketing." However, it wasn't until I began following the discussion surrounding design and specifically "design thinking" that I started to think more critically about the relationship between marketing and design. This connection became more evident as I finished my first year in CCA's MBA in Design Strategy program when, for the first time, I was asked to explore this relationship closely and provide my definition for marketing and its relationship to design.

Let's begin with what marketing is. Marketing is a framework for the organized delivery of experiences designed to achieve a particular response or action. Within a business context, this framework is typically grounded in research, both qualitative and quantitative, and driven by a measurable goal or desired outcome. In most cases, this goal includes some form of economic gain but may include ancillary social benefits as well. Behind all marketing plans is an agenda or point of view that drives the message through various channels where they are eventually expelled at identified touch points. These touch points serve to inform the user of the intended message and help to deliver a meaningful experience.

So, if marketing is a framework for the organized delivery of an experience, design is the act of building the delivery mechanism for that particular experience. Within the marketing framework lives a set of constraints that inform the strategy, delivery and design of a particular experience. These constraints can include budget, timelines, resources or particular market segments and must be the primary motivator when exploring possible solutions. Within a business context, design without marketing is, perhaps, arbitrary. Since the marketing framework includes a research component built specifically to uncover unmet needs or desires, design should be driven by a strategy or intent to meet these needs in a meaningful and relevant way. Problems arise, however, when a particular agenda is pushed that is either not supported by findings in research or fails to address the desired outcomes of the "agenda."

In the business realm, marketing and design are more closely related as they serve to connect the desires of a particular audience to a product or solution. I believe the distinction between design and marketing becomes more apparent when you step beyond the world of business and a "market." In this sense, design has more freedom to explore possibilities by virtue of fewer constraints and becomes much more interpretive. Design more closely resembles art in this realm.

The question then becomes, do marketing plans lead to better design? In short, yes. Within a business context, I believe good design is achieved only when driven by a well-planned marketing strategy. A good marketing plan will serve to provide the tools, constraints and lens through which to design through but must also walk the fine line between "informing" and "dictating." One of the primary values of design is delivered through the subjective nature of interpretation. There may be several well-designed solutions that address a particular problem, but what makes one design "better" than another is usually decided upon closer inspection of the marketing plan.

As design continues to gain acceptance as a critical piece to corporate strategy, the relationship between the value design delivers to any business framework must be identified and continuously advocated. As a design thinker and graduate student, I am confident that the challenges I have been asked to confront at CCA are serving to build a case for not only the future of design, but my future as business leader.

Mike Funk
DMBA Class of 2011